The QBF 2010 showreel

14
Oct
2010

Got enough of art and abstract design? Have some strictly com­mer­cial work from the tal­en­ted Mar­tijn Hogen­kamp. He is an Ams­ter­dam based designer dir­ector and is look­ing to make it big in the world of brands and motion graph­ics. If you want to know what sells, look no further.

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A reel strictly ded­ic­ated to the art of graf­fiti? It makes sense when it’s 3D-animated! This is some impress­ive work, artist­ic­ally and tech­nic­ally, and well worth watch­ing.
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In graphic design less can be more. Andrew Newby from Canada seems to fol­low this philo­sophy in his work for diverse cli­ents like Coca Cola, Amnesty Inter­na­tional or Show­time and its cult pro­gram “Dex­ter”. In the last case he really can live out his pref­er­ence for clear, simple lay­outs that he also shows in his web­design work. This is another entry in the “how do I show off webdesign-work in a showreel” cat­egory and worth watch­ing for any­one with a sim­ilar task.

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Shop Around strikes again! They seem to have an end­less sup­ply of extremely tal­en­ted artists and Shotopop’s showreel drives this point home with beau­ti­ful motion-graphics and anim­a­tions.
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A great movie deserves an awe­some intro. Jorge Artola arranged for this when he cre­ated the beau­ti­ful intro­duc­tion for Iñár­ritus cel­eb­rated motion pic­ture debut “Amores per­ros”. Beside that there are a lot more motion graph­ics worth see­ing in this recently pub­lished 2010 showreel, in which he shows a keen sense for col­our and com­pos­i­tion and an over­all artistic quality.

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The great tra­di­tion of French artists seems to be trans­formed into the mod­ern world of motion graph­ics. Like many other design­ers from Paris Arnaud Peron has a lot of amaz­ing ideas and knows how to put them into prac­tice in a beau­ti­ful style. This 2010 showreel stands out due to well staged rhythm altern­a­tions and a great focus on details.

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Scand­inavia is fam­ous for good edu­ca­tion. One example is the Motion Graph­ics Designer School at Hyper Island in Sweden, which con­sist­ently arouses our interest by fos­ter­ing a lot of great young artists like Linus Lundin. In his 2009 showreel he deliv­ers us insight into his very cre­at­ive and appeal­ing work.

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When I get sick of the hyper-clean, ever-exciting worlds of con­sumer­ist com­mer­cial videos I need some­thing dif­fer­ent to get the clogged cre­at­ive arter­ies flow­ing again. Thank­fully Emil Good­man from Hun­gary provides some fresh per­spect­ive with his cre­at­ive and slighty dis­turb­ing visu­als. It’s one of those showreels that sticks in the back of your head for a while.

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Videodrome Reel 2009

17
Sep
2010

“Good Artists Bor­row, Great Artists Steal” — the guys at Vide­o­drome have appar­ently taken Picasso’s fam­ous words to heart and I couldn’ help the feel­ing that I’ve seen many scenes in this showreel some­where else before. It’s all ori­ginal work though and the art dir­ec­tion and exe­cu­tion is beau­ti­ful. They clearly have the poten­tial to become great artists.

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If you want a com­plete col­lec­tion of all trends in motion graph­ics of the past four years, look no fur­ther. Dan DiFe­lice has done it all and his showreel is like a col­lec­tion of everything we’ve got­ten so used to. It’s all beau­ti­fully executed and provides a neat ref­er­ence for the very basics of con­tem­por­ary motion art direction.

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